The Duke Had Four Months to Marry or Lose Control of a Powerful Estate — So He Stopped His Carriage, Told a Woman Kneeling in Turnips, “I Need a Wife. Come With Me,” and She Gave Him One Shocking Condition.
PART 1
The letter had been sitting in the estate room drawer since he was twenty-six, and Robert Aldis had spent eight of the last ten years pretending it wasn’t. He took it out now, in the last week of June, and read the clause his father had written when Robert was four years old, in handwriting that had never once wavered, because his father had been a careful man and careful men do not write clauses they expect to matter.
If the heir remain unmarried at five and thirty, or, being married, die without issue male, the house in town and the Witkim property shall pass to the line of Bramber’s cousin.
Robert was four and thirty in November. He had four months to marry — and, the clause went on, to eventually get a son, or the same third would go north anyway the day he died, whenever that day came.
He did not think about the house in town. He had never once, in ten years, thought about the house in town. He thought about a hamlet with a smithy in it, and a hundred and forty people who had never seen a landlord who did not live within nine miles of them, and a cousin’s family in Northumberland who were perfectly civil and had visited Witkim exactly zero times in their lives.
He thought about Fenwick’s voice in the estate room in April, flat and certain, the voice of a man who had been nineteen years in that office and did not soften bad news to make it easier to hear. It gets let to a middleman inside two years, your grace. And in nine years there is nobody left on it who was there before.
Robert had refused nine arrangements in ten years. His mother had made four of them before she died. He had never once told a living soul why, because the reason belonged to a woman who had said, in the last year of her life, at breakfast, over a cup of tea neither of them wanted, Your father has been very good to me, and I have never had one conversation with him in nine and twenty years that I could not have had with the rector.
Robert had been fifteen when he understood what he was watching. He had not needed his mother to say it aloud. He had simply, over the course of one ordinary Tuesday breakfast, felt the floor of the house shift beneath him — not with anger, not with grief, but with the terrible, quiet arithmetic of two civil people who had run out of anything to say to each other twenty years before he was born.
He was not going to do that. He had decided it at fifteen without knowing he’d decided anything, and he had spent ten years refusing every arrangement his mother, and later his aunt, and later still every hopeful father at every dinner in London, had ever constructed for him — a daughter placed beside him three times in a season, a conversation steered, with the terrible transparency of the desperate, toward the topic of drainage.
He had never given a reason. The county had settled on two of its own: that he was proud, or that there had been a disappointment when he was young. Neither was true. There had been no disappointment. There had only been a boy who watched two decent, well-meaning people be pleasant to each other for twenty-nine years and understood, with the clarity that only comes once in a life, that he would rather be alone in a house of ninety rooms than civil in one.
But he had four months now, and no arrangement left to refuse, because every arrangement available to him would produce exactly the marriage he had spent a decade avoiding — and behind that marriage, waiting with the patience of paperwork, was a cousin in Northumberland and a hundred and forty people who had done nothing wrong except live on ground that was about to become somebody else’s.
So Robert Aldis did the thing that everyone afterward called eccentric and that he always, for the rest of his life, called the only logical thing left to him. He told his coachman to ready the carriage. He told Fenwick nothing at all. And he went looking — not for a village, not for the parlour of some minor gentry family where he’d be recognised inside a quarter hour and the whole business would collapse into exactly the kind of arrangement he was fleeing — but for farms. For a woman of about the right age who was running something. A woman who had said no to a hundred people already and made them believe it. A woman who had not been arranged.
The first three days were a failure, and he was honest with himself about why. He spoke to four women on four farms and every conversation went the same dead, careful way, and it took him until the third night, in an inn in Marbury with a letter half-written on the back of another, to understand what he’d done wrong. A man in a coat of that quality does not stop at a farm gate and get the truth. He gets whatever a woman with everything she owns behind her decides is safe to give a stranger who might be a bank man, or a debt collector, or worse.
I wanted somebody who would tell me the truth, he wrote that night, and I have discovered that there is not one woman in this county who can afford to tell a strange gentleman the truth about anything.
He very nearly went home on the fourth morning. He told his coachman as much.
And then the near leader threw a shoe, a mile short of Marbury, on a hot afternoon in the last week of June, and Robert Aldis climbed down from a stopped carriage on a public road and looked over a wooden fence into a field of turnips, where a woman was on her knees with her sleeves rolled up and about a pound of Wiltshire soil on her hands, and had not once looked up.
He watched her for four minutes before she saw him. He told her, later, exactly what he’d been thinking in those four minutes, and it was not one word about her face.
The fence wants doing and has wanted doing for two years. The turnips are extremely good. There is a boy at the far end doing half what she’s doing, and she has not once shouted at him. And she has not looked up in four minutes, which means she is not expecting anybody.
That is the first thing I have found in four days that has not been arranged.
She looked up because the boy said something. What she saw was a man of about five and thirty in an excellent coat, standing at her fence with a carriage stopped on the road behind him and a coachman doing something to a horse’s foot.
She sat back on her heels.
“You’ll want the smith,” she said. “Mile on, left, behind the ram. Tell him Alice Tullow sent you and he’ll come this afternoon, not tomorrow.”
“Thank you,” said the Duke of Bramber. “That’s extremely useful. It is not what I stopped for.”
“Then you’d better say what you did stop for, sir, because I’ve got about two hours of light left and about four hours of this row.”
Robert Aldis stood at that fence. He had a speech. He had been building it for four days.
He looked at a woman kneeling in a turnip field with dirt on her hands and understood, inside a second and a half, that every word of it was useless.
So he told her the true thing instead. It took ninety seconds. It ended with: I need a wife. I am asking you. Come with me.
Alice Tullow knelt in her field and looked at him for a long, unhurried moment.
She did not laugh. She did not stand. She did not ask him one single question about what he had.
What she said, when she finally spoke, was going to take him the rest of his life to fully understand — and he had no possible way of knowing that yet, standing on a public road with a lame horse behind him and no answer at all to the question she was about to ask him.
